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Major fields of interest: Late medieval and Early Modern sculptures from southern Italy; miracle-working images and image cults; sacred and devotional rituals; art and agency.

Graduate experience: M.A. in Art History, ��ɫ��Ƶ (2023). Major Research Paper: The Smiling Madonna of the South: A case study on the Madonna del Sorriso and modern forms of devotion in Roccavivara, Italy. 

Undergraduate experience: Concordia University, B.F.A in Art History & Studio Arts (2021); Concordia University, B.A in Western Society and Culture (2018).

Supervisor: Dr. Una D'Elia

Major Fields of Interest: Twentieth-century visual culture; art and design in the German-speaking world; fashion studies; material culture; illustration studies.
Undergraduate Experience: Carthage College, BA, majors: German and Studio Art, minor: Art History (2016)
Graduate Experience: University of Toronto, MA, Art History (2020)
PhD thesis: “Masculine Fashion Culture in Post-war Germany: Reconstructing the Ideal Man through Illustration”
Supervisor: Dr. Allison Morehead and Dr. Elizabeth Otto (University at Buffalo)

Major Fields of Interest: Symbolism, Expressionism, Modernism, 19th century print culture and postermania, avant-gardism, and curatorial practice. 
Undergraduate Experience:  B.A. Art History, University of Calgary.
Graduate Experience:  M.A. Art History, University of Toronto.
Dissertation Topic: Visual Representations of Eschatological Fears and Millenarian Anxieties in Europe and North America from the late 19th to the early 20th century.
Supervisor: Dr. Allison Morehead

Major Fields of Interest: global modernisms, feminisms, curatorial practice, institutional critique, print culture.
Undergraduate Experience: University of Toronto, B.A. (Honours), Major in Art History, Major in History (2007)
Graduate Experience: University of Victoria, M.A., Art History (2010)
Supervisor: Dr. Allison Morehead

Major Fields of Interest: Primitivism, turn-of-the century French modernism, and issues of identity, self-fashioning, transnationalism, and feminism.
Undergraduate Experience: Towson University, B.A. in Art History. Thesis entitled "Symbolic Judgment: An Iconological Analysis of James Ensor’s The Seven Deadly Sins Print Series."
Graduate Experience: American University, M.A. in Art History. Thesis entitled "Subverting Orientalism and Primitivism? Sonia Delaunay's Yellow Nude, 1908."
Supervisor: Dr. Allison Morehead

Major Fields of Interest: Luke Fildes; doctor-patient relationship; nineteenth-century British Art; Victorian visual culture; histories of nineteenth-century medicine; medical humanities

Undergraduate Experience: B.A. Honours, major in Art History with a minor in Political Studies (2009), ��ɫ��Ƶ.

Graduate Experience: M.A. Fine and Decorative Art (2011), Sotheby's Institute of Art, London, UK; M.A. Art History (2010), University of Toronto.

Dissertation Title: Sentimentalizing Medicine: Luke Fildes’s The Doctor (1891) and the Idealized Image of the Physician-Patient Relationship

Supervisor: Dr. Allison Morehead